An angled, low-angle view of ornate Victorian plaster cornice work with floral and scroll-work motifs

Conservation & Restoration ·

College Lawns

Conservation of Decorative Cornices and Design of Bespoke Ceiling Roses

01

Background

College Lawns is a Victorian residence in Cheltenham where the principal rooms retained their original decorative cornices beneath many layers of modern paint. While the cornices had survived largely intact, repeated decoration had softened the crispness of the enrichments and concealed areas of previous damage. The original ceiling roses, however, had been lost entirely.

The brief was to reveal and conserve the surviving decorative plaster work, undertake sympathetic repairs where required, and develop new ceiling roses that would restore the architectural balance of the rooms without creating a false sense of history.

02

Revealing the Original Craftsmanship

The project began with the careful protection of the surrounding fabric before work commenced. Surfaces were sheeted and taped back to allow controlled access to the cornices while keeping the rest of the room secure.

With the room protected, the accumulated paint layers were carefully removed to expose the original plaster work beneath. As the paint was stripped away, the quality of the Victorian modelling gradually re-emerged, revealing details that had been hidden for many years.

Only once the original work had been exposed could the true condition of the cornices be assessed and areas requiring repair accurately identified.

Two craftsmen on mobile scaffolding taping protective plastic sheeting beneath the ornate cornice line
Protecting the surrounding fabric before work begins
A craftsman in protective gloves and glasses stripping paint from an ornate plaster cornice, raw beige plaster emerging beneath
Carefully removing the accumulated paint layers
Close-up of a cornice split vertically between old discoloured paint on the left and freshly cleaned white plaster on the right
The original modelling re-emerging as the paint is removed

03

Conservation of the Cornices

Once exposed, areas of damage that had been concealed beneath the paint became clear. Cracks, failed enrichments and earlier losses were recorded and assessed before any intervention was undertaken.

Damaged enrichments and areas of deterioration were repaired using traditional plaster techniques and compatible materials, retaining as much of the original fabric as possible. Moulds were taken from the surviving ornament so that replacement enrichments could be cast in plaster to match the original profiles.

The intention throughout was to conserve rather than replace, ensuring that the surviving nineteenth-century craftsmanship remained the defining feature of the rooms.

Front-facing view of the stripped Victorian cornice with a jagged vertical crack running through the acanthus frieze
Damage revealed once the original work was exposed
A mould-making station on the workbench, with a plaster casting bedded in coloured modelling clay inside a black mould case
Taking moulds from the surviving enrichments
Cast plaster leaf enrichments and pink silicone moulds arranged on a dust-covered workbench
Silicone moulds and cast enrichments prepared in the workshop
Two cast plaster acanthus-leaf enrichments placed side by side on a work table
Replacement enrichments cast in plaster to match the originals
Close-up of the restored cornice showing crisp acanthus scrollwork and leaf borders with sharp, deep shadows
Crisp modelling revealed through careful conservation

04

Designing the Missing Ceiling Roses

No original ceiling roses survived within the property. Rather than introducing an unrelated design or reproducing a feature without evidence, new ceiling roses were developed by studying the proportions, motifs and character of the existing cornices.

Elements of the original decorative ornament were incorporated into bespoke designs, allowing the new work to complement the surviving plaster work while remaining respectful of the building's architectural character.

The result was a series of ceiling roses that felt entirely at home within the interiors, restoring a sense of completeness without competing with the historic fabric.

A bespoke plaster ceiling rose in assembly, with individual leaf ornaments set around the inner ring
Assembling a bespoke ceiling rose
A circular plaster ceiling rose resting on a workbench beside a bucket of plaster mix and workshop shelving
A new rose taking shape in the workshop
Top-down view of two large finished ceiling roses on the workbench, surrounded by plaster mix and casting tools
Bespoke roses built around motifs drawn from the existing cornices

05

Outcome

The completed project transformed the decorative interiors by revealing the original Victorian craftsmanship and conserving what had survived. The carefully repaired cornices and bespoke ceiling roses now work together as a coherent decorative scheme, allowing the architectural character of the rooms to be appreciated once again.

The restored ceiling rose and ornate cornice in place, with protective sheeting below indicating ongoing works
The restored cornice and ceiling rose in place
A corner view of the completed ornate cornice above a dark-painted wall
The conserved cornice in its completed state
The finished room with a pendant-lit ceiling rose and restored cornices above a dark accent wall
The completed decorative scheme

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